3 Nisan 2015 Cuma

Supermarket 2015 Independent Art Fair Stockholm





PASAJ will recreate in its fair stand the small buffet/restaurant we use for our exhibition/event in Tarlabaşı neighborhood. It's a way to bring to Stockholm a small alternative part of Istanbul, connecting cultural events and the daily life of a vivid neighborhood of our city. Stand's walls and windows will be covered with the real size black-white prints representing the restaurant's image. This will be the stage for some artworks by Secil Yaylali, Özgür Demirci, Giorgio Caione and Paola Ferrario.


Artist talk at Aciliyet Mektebi



27 Ocak 2015 Salı


İthaf Edilmiş'in Ardındakiler: Özgür Demirci Röportajı

Röportaj: Tuçe Silahtarlıoğlu




IMG_1202


17 Ocak 2015 Cumartesi

Bugün Açılış / Opening Today: Özgür Demirci - İthaf Edilmiş / Dedicated


Özgür Demirci'nin kişisel sergisi İthaf Edilmiş, 16 Ocak - 7 Şubat 2015 tarihleri arasında Öktem&Aykut'ta. Açılış 15 Ocak Perşembe akşamı, 18.30’da.
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Özgür Demirci's one-person exhibition Dedicated will be on show at Öktem&Aykut from January 16th until February 7th, 2015. The opening will be on Thursday, January 15th, 2015, at 18:30.
Bir Başarısızlık Hikayesi / A Story of Failure, 2014, video, 34"

İthaf Edilmiş; bir büyüme ve sanatçıya dönüşme hikayesinin birinci elden anlatısı; başarısızlık, aksaklık ve eksikliklerle karşı karşıya kalmış bir kariyerin özeleştirisi; yeni bir harita uğruna tanıdık topraklara yapılan yolculuk.

Demirci'nin üçüncü kişisel sergisinde; sanatçının 2013 - 2015 yılları arasında üretmiş olduğu video, fotoğraf ve enstalasyon eserler yer alıyor. Yakın Türkiye tarihinin parmak uçlarıyla dokunduğu bir baba - oğul ilişkisinin, bir bireyin olgunlaşma sürecindeki etkisinin izleri, Demirci'nin İthaf Edilmişsergisindeki eserlerin temel izleğini oluşturuyor.

Yıldız Teknik Üniversitesi Sanat ve Tasarım Fakültesi’nden 2008'de lisans, Göteborg Üniversitesi Valand Güzel Sanatlar Akademisi'nden 2010 yılında yüksek lisans derecelerini alan Demirci; İsveç, Japonya, İtalya, Almanya, Polonya, Çek Cumhuriyeti ve Bulgaristan'da eserlerini sergiledi. Çalışmalarına İstanbul’da devam eden sanatçı, aynı zamanda İstanbul merkezli sanat inisiyatifi Pasaj’ın üyelerinden.

ozgurdemirci.com
İsimsiz / Untitled, 2015, diasec baskı / diasec print, 33x50cm

Dedicated, is a first-person narrative of growing up into an artist; a self-criticism of a career interrupted by failures, setbacks and even "malfunctions"; a journey towards familiar lands with a new map at hand.

Demirci's third one-person exhibition hosts works in different media including video, photography and installation. The main theme of Demirci's Dedicatedis the mark of a father-son relationship within the coming-of-age story of an individual, a relationship vaguely touched by the recent history of modern Turkey.

Demirci obtained his BA in Interdisciplinary Arts at Yildiz Technical University in 2008, and his MA in C:Art:Media at Valand School of Fine Arts in 2010. He took part in group shows and public projects in Turkey, Sweden, Japan, Italy, Germany, Poland, Czech Republic and Bulgaria. Demirci lives and works in Istanbul and is a member of Pasaj, a pioneering Istanbul-based non-profit artist organization.

ozgurdemirci.com

Copyright © 2015 ÖKTEM&AYKUT, All rights reserved.

26 Kasım 2014 Çarşamba







Before and even after, many people died, were killed. Wars have not yet ended and never will.
There was so much happening at every single moment that the sentence we had constructed to fool ourselves was ready; we just weren’t able to keep up.
At a point, as we were just standing there, “something” else began. We were on the streets. Side by side. We didn’t even know each other, but we were side by side. We were there. We had learned to keep our doors open, to put buckets full of water in front of the apartment, and in case of arrest: to post  a document showing our rights on the door of the apartment, and to note the situation on every street we passed , and tweet it to one another.
This was hope itself.  The spirit of solidarity, the challenge, standing side by side.
Is it possible to remember this hope?
We have to start somewhere…
‘Stay With me’ project takes from here; taking notes, documenting, drawing; remembering the hope with the association of these narrations.
The title ‘Stay with me; is chosen because it expresses a last resort when the hope is fading “hold on, don’t give up’. It grew as a slogan that expresses a collective effort where everyone is involved and holding on together.
‘Stay with me project’ is composed of notebooks that indicate limitless fear, insecurity, existence in obscurity as well as hope, reality, future and the ‘moment’, by 84 participants. The exhibition can be seen in Apartment Project Berlin, between November 27 and December 24.

künstler/inen
Ali Miharbi, Anti-Pop, Aslı Çavuşoğlu, Ayşe Küçük, Azra Deniz Okyay, Balca Ergener-Meltem Ahıska, Berkay Tuncay, Burçak Bingöl, Carla Mercedes Hihn Ceren Oykut, Christine Kriegerowski, 
Çiğdem Hasanoğlu, Devrim Ck, Devrim Karabeyoğlu, Didem Erk Eda Gecikmez, Ekin Saçlıoğlu, Elif Çelebi, Elmas Deniz, Endam Acar, Erdağ Aksel, Erhan Öze, Erdem Helvacıoğlu, Eser Selen, Fatma Belkıs, Fatma Çiftçi, Fatih Aydoğdu, Ferhat Özgür, Figen Aydıntaşbaş, Fulya Çetin, Genco Gülan, Gonca Sezer, Gökçe Süvari, Gökhan Deniz, Göksu Kunak, Gülçin Aksoy, Gül Kozacıoğlu, Gümüş Özdeş, Güneş Savaş, Güneş Terkol, Gözde İlkin, Hale Tenger, Hubert Sommerauer İlhan Sayın, Inci Furni, İpek Duben, İremTok, Melike Kılıç, Merve Çanakçı, Merve Şendil, Mischa Rescka, Murat Tosyalı, Nalan Yırtmaç,
Nancy Atakan, Nazım Dikbaş, Neriman Polat, Nurcan Gündoğan, Onur Ceritoğlu, Onur Gökmen, ÖzgürAtlagan- Bengi Güldogan, Özgür Demirci, Özgür Erkök Moroder, Özge Enginöz,
Rülçhan Şahinoğlu, Raziye Kubat, Sabine Küpher Büsch-Thomas Büsch, Seda Hepsev,Seçil Yersel, Sena Başöz, Senem Denli, Sevim Sancaktar, Sevil Tunaboylu, Sevgi Ortaç, Suat Öğüt, Sümer Sayın, Şafak Çatalbaş, Ulufer Çelik, Yaprak Kırdök, Yasemin Özcan, Yasemin Nur, Yeşim Ağaoğlu,
Zeyno Pekünlü
back stage: Selda Asal


11 Ekim 2014 Cumartesi




The inauguration of the Migrating University of Mickiewicz project will take place on 18 October, 2014, at the Museum of Adam Mickiewicz in Istanbul’s Tarlabaşı district. Numerous presentations by Polish and Turkish artists and historians aim to shed light on current social transformations in the area, as well as the Polish presence in the history of old Constantinople.

The Migrating University of Mickiewicz will open on 18 October 2014 with curator Max Cegielski’s introduction to the programme, starting at 13:00. Lectures and performances will continue throughout the weekend of 18 and 19 October, and the opening of the final exhibition at the Adam Mickiewicz Museum in Istanbul will take place on 25 October, at 19:00. The exhibition will remain on view until 16 November 2014. See below for a detailed programme.

The project consists of a series of interdisciplinary lectures and presentations, which on the one hand relate to the presence of Poles in Istanbul and on the other to the history and spatial conditions of the Tarlabaşı district. The presentations will be held in Turkish and English.

See an interactive map of Mickiewicz's travels
The Tarlabaşı district in the heart of Istanbul has been undergoing constant devastation for several years – historical houses are edemolished, the steep streets distinctive of this part of the city are vanishing one by one, and people who have lived here for decades are being thrown onto the street. Just like other neighbourhoods – Sulukule or Fikirtepe – Tarlabaşı is falling victim to hectic, top-down gentrification. The profound socio-economical changes are affecting the vicinity of the Adam Mickiewicz Museum in Istanbul.

With the aim of organizing the extensive émigré community in Istanbul, the legendary Polish poet Adam Mickiewicz arrived in the city in September 1855, where he later passed away unexpectedly, probably from cholera. To this day, Mickiewicz's work has a permanent impact on Polish culture, influencing collective consciousness, literature and art, as well as serving as a basis for shaping feelings of patriotism.

His works have been translated into more than twenty languages, either fully or in part, and in many cases multiple times. In current discussions about the shape of a united Europe, Mickiewicz is cited as a pioneer of the vision of a federation of free nations and citizens.

Curator Cegielski notes: Unlike other Romantics, Mickiewicz did not come to the Bosphorus to relish the exotic tastes of the Orient. He had little time to be the tourist, visiting harems or dervish fraternities. He was focused on his political mission: to provide assistance to troops created under Polish command in the army of the Ottoman Empire… The poet arrived in the “City of Cities” by sea, driven by a profound belief that the road to independence may indeed lead across the Orient.



The exhibition and the accompanying lectures at the Migrating University of Mickiewicz project bring together motifs that are little known to Poles and Turks alike. The poet’s final artistic and scientific journey takes Turkish audiences back in time to Constantinople’s multicultural past, and to the emerging social issues of contemporary Istanbul, and Tarlabaşı district in particular.

Cegielseki ends: If it is indeed the “City of Cities” which stands upon the Bosphorus, its heart lies within the Mickiewicz Museum.


Programme

Among the participating artists of the Migrating University of Mickiewicz project, Slavs and Tatars will meet Turkish audiences at two preliminary performances on October 10th in Istanbul and October 11th in Ankara

18 October 2014 (Saturday)
13:00 – Max Cegielski, curator
Inauguration of the Migrating Mickiewicz University
Introduction to the Project (ENG)
13:15 – Vahit Tuna, visual artist
Omar Khayyam – film screening and a conversation with the author (ENG)
14:00 – Paulina Dominik, historian
On the Polish times of the Pera: Polish Political Émigrés in 19th-Century Istanbul – lecture (TR)
15:00 – Özgür Demirci, artist
A Screen Divided – film screening (TR)
15:30 – Bogna Świątkowska, Fundacja Bęc Zmiana
Art Projects in Challenging Urban Spaces as Illustrated by the Case of Poland and Warsaw – lecture (ENG)
16:30 – Ali Öz, photographer
The City of Shame – Photographs of Tarlabaşı – slide show (TR)
17:00 – Wojtek Doroszuk
The Pharmacist – film screening and a conversation with the author (ENG)
18:00 – Display of other artworks exhibited at the Mickiewicz Museum from 25 October 2014 (Slavs and Tatars, Ania Kuczyńska, Tomasz Szerszeń) (ENG)
19 October 2014 (Sunday)
13:00 – Orhan Esen, urban planner
Pitch of Babel – lecture (TR)
14:30 – Janek Simon, artist
Adam Janek Mickiewicz Simon – project display and description and a conversation with the author (ENG)
15:15 – Agnieszka Ayşen Kaim, Turkologist, actress
Adam Mickiewicz, or the Story of a Turkicised Bard – lecture (TR)
16:15 – Mikołaj Długosz
Tarlabaşı – Adam – neon light display project and description and a conversation with the author (ENG)
17:00 – Art Project Realisation in “Difficult” Urban Districts – discussion
Participants: Mikołaj Długosz, Bogna Świątkowska, Urszula Woźniak (Depo)
Moderator: Max Cegielski (ENG)
25 October 2014 (Saturday)
19:00 – Opening Night, Artistic Interventions at the Adam Mickiewicz Museum
Artists: Slavs and Tatars, Ania Kuczyńska, Janek Simon, Özgür Demirci, Vahit Tuna
Wojtek Doroszuk, Tomasz Szerszeń, Mikołaj Długosz, Tunca Subaşı,
*Exhibition will remain open to the public until 16 November 2014
To learn more about Adam Mickiewicz, check out these articles:
Mickiewicz Unraveled: The Little-Known Fact about Poland's Best-Known Bard
Renovating Adam Mickiewicz: Roman Koropeckyj Reveals the Poet's True Life

The Migrating University of Mickiewicz project is organized as part of the cultural programme marking the 600th anniversary of Polish-Turkish diplomatic relations.